Robin Denselow 

The Paradise Bangkok Molam International Band: 21st Century Molam review – a rousing debut

Maft Sai and Chris Menist deliver a modern-day album of Thai-style molam music that mixes hypnotic improv with sturdy riffing, writes Robin Denselow
  
  

the Paradise Bangkok Molam International Band
Pulsating … the Paradise Bangkok Molam International Band Photograph: /PR

The DJ team of Maft Sai and Chris Menist are best known for reviving the pop music of Thailand from the 60s and 70s, through their much-praised compilation sets for the Soundway label, The Sound of Siam. The second such release concentrated on the pulsating molam music from the north-east of the country, and now they have updated the style with a new band featuring Chris Menist on percussion, along with two impressive instrumentalists, Kammao Perdtanon playing the traditional phin lute and the veteran Sawai Kaewsombat on the khaen (which is like a large harmonica constructed from bamboo pipes). They are backed by bass and drums, for a rousing debut album that mixes traditional Thai styles with echoes of folk-rock, blues and dub. There are passages of driving, hypnotic improvisation backed by sturdy western bass riffs, but the finest tracks are those recorded without the rhythm section.

 

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