Amandaland to Olof Dreijer: the week in rave reviews

Lucy Punch’s middle-class antihero is back, and one half of the Knife presents an album of dazzlingly inventive psychedelia. Here’s the pick of the week’s culture, taken from the Guardian’s best-rated reviews

Why Train Dreams should win the best picture Oscar

With its meditative pace and sincere interest in moral questions, Clint Bentley’s film of a rudderless man cutting down trees in Idaho’s verdant vistas has the air of a Hollywood classic from another era