From 70s soul to glowing strings, the cult outfit continue to inhabit their own quiet space on the fringes of the musical landscape, celebrating the beauty in small things
The Leeds-based band – and first non-London act to win the prize for a decade – were quick to highlight the part that regional funding played and lamented recent cuts
In-stores can be beneficial for bands, fans and record shops alike – but do they still hold the same magic, or have they become an obligatory part of an album promotion?
(Featuring possibly his best track yet, the North Carolina guitarist-songwriter goes to the sparse and seamy side on this worthy successor to Boat Songs
How did an oddball Stroud duo, who once played the wedding of two ceramic dogs, come to get signed by LCD Soundsystem’s James Murphy? Nothing is ordinary in the world of Mermaid Chunky
Outlandish musical choices from oompah to sleaze should make the Londoners’ debut feel fresh, but they’re the latest interlopers in a crowded experimental field
The smart, strange Leeds quartet clearly have a bright future ahead of them. But with no sponsor and a straitened ceremony, the same can’t be said for the Mercury
A headlining Slowdive ticked the indie boxes, but Lankum’s intense folk, Paranoid London’s filthy techno and Nourished By Time’s slick R&B grooves once again prove this festival has punch and personality
This festival of heavier sounds from the fringes was a blast, from chilling Gazelle Twin to Daisy Rickman’s Krautrock-folk, noise icons Melt-Banana and locals Flesh Creep
Playing his largest ever gig in the city, the singer tenderly croons his musical love letters to the people and places of Sheffield, while his biting political songs turn into rousing singalongs