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I didn’t think it was possible to love Kylie Minogue any more – her new Netflix series changed that

After the glut of brand-building shows from other celebrities, the Kylie documentary is radical for simply allowing the star to come across as human, says Guardian columnist Emma Brockes

Totó la Momposina, vocalist and Colombian music legend, dies aged 85

The singer was one of her country’s most’s popular musical exports, and travelled the world with an evangelistic vision for spreading cumbia music

Goldie, Bananarama and boat trips with the Spice Girls: the hedonistic madness of 90s label London Records

From synthpop to drum’n’bass, the company had a roster of edgy stars – and let them do what they wanted. As a new podcast is launched, artists and staff remember the extreme work environment

Behold! Nina Simone’s chewing gum! Inside the show celebrating extreme pop fandom

Leaves from Dolly Parton’s front garden, a Yellow Submarine cookie jar full of ashes, a branch from the tree Marc Bolan’s car hit … our writer explores Holy Pop, the exhibition where superfans are sacred

Kylie Minogue announces she had second cancer diagnosis in 2021

In new Netflix documentary, pop superstar says she ‘got through it, again’, referring back to successful treatment for breast cancer in 2005

‘This keeps the dream alive’: the bands sleeping at venues to make touring work

A new UK scheme is encouraging venues to provide accommodation for touring acts. But what if someone hurls a TV through a window?

Ecca Vandal, the genre-defying punk-rap star on getting offline and having tea with Flea: ‘It constantly spins me out’

The Australian singer’s new album, Looking For People to Unfollow, is a punchy rejection of ‘faux-sincerity’ and music being reduced to TikTok-able snippets

Dr Hook co-frontman Dennis Locorriere dies aged 76

Singer took lead vocal on UK No 1 When You’re in Love With a Beautiful Woman, and had numerous other transatlantic hits

Still collapsing after all these years: Einstürzende Neubauten on their fifth decade as a Berlin legend

The band’s newest member, Josefine Lukschy, was born the year their fifth album was released. They and founding member Blixa Bargeld talk about leading the counter counter-culture

Harry Styles review – a genuinely charismatic performer who has pulled off one of the hardest tricks in pop

Johan Cruijff Arena, the NetherlandsStyles’ first stop in his Together, Together tour, which will see him perform lengthy residencies around the world, is a reminder of how talented he is

Dua Saleh: Of Earth and Wires review – ambitious confrontation of global catastrophe is surprisingly cautious

While the first track is a scorching mix of poetry, rap, falsetto vocals and acoustic guitar, elsewhere the Sudanese-American’s second album feels a little underbaked

‘I had to start living for me’: Suzette Charles on winning Miss America, confronting Bill Cosby and releasing her debut album 33 years late

From late-night calls with Stevie Wonder to tours with Frank Sinatra, the US singer seemed primed for success – so what caused her to hide from the public for decades? Finally back in the spotlight, she tells her remarkable story

Canada is welcome to join Eurovision, says song contest director

‘We know that Mark Carney wants to sort of embrace Europe,’ says competition director Martin Green

Eurovision 2026: Delta Goodrem sends Australia to the grand final with note-perfect performance

There was wind, there was fire, there was Goodrem’s remarkable upper-range – resulting in a refreshingly self-assured offering from Australia

Clarence Carter, US soul star who had hits with Patches and more, dies aged 90

Singer-songwriter, and former husband of Candi Staton, was blind from birth and had further hits including Slip Away and Back Door Santa

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  • Is Australian music at risk of extinction? Here’s what the data tells us
  • Aria music quiz: how well do you know the Australian charts?
  • Jesse Hector obituary
  • A priceless book of Yiddish songs from the Holocaust lay in a Sydney cupboard for decades – now it has been rescued
  • Manchester Camerata review – mental torments build up to a royal meltdown
  • Readers reply: If an alien asked you: ‘What is music?’ what would you play for them?
  • The Marriage of Figaro review – Danielle de Niese’s deft direction weds finery with fun
  • Hilarious or a nightmare? Exhibition displays the worst album covers ever
  • ‘So rogue’: country superstar Shania Twain turns London pub into saloon
  • ‘At my funeral I want people dancing in the aisles to Madness’: David Gray’s honest playlist
  • Hello, goodbye: the Beatles’ chaotic, controversial final tour – as never seen before
  • Judge dismisses Kennedy Center suit against musician who canceled
  • Stevie Nicks donates $3m to medical school to recognize her voice doctor
  • When I claim my black Britishness in this age of intolerance, here is the music that goes with it
  • From Masters of the Universe to Monteverdi: your complete entertainment guide to the week ahead
  • Robin Hartwell obituary
  • St Vincent review – majestic orchestral transformations of jagged art-pop
  • Add to playlist: the introspective ‘Afromood’ of Nigerian star Strei and the week’s best new tracks
  • From G-Flip to Tame Impala: why Australian music is soundtracking so much TV right now
  • BBCNOW/Bancroft review – conductor takes final bow in imaginative programme of vivid colours and emotions
  • More than a quarter of UK musicians lost all EU work since 2021, report finds
  • With warmth, kindness and unlimited energy, Kanya King revolutionised Black British culture
  • Dua Lipa and Callum Turner wedding divides Palermo: ‘I could understand if it was for the pope’
  • Krishna review – the mystery of John Tavener’s ‘mystic pantomime’ is why it has been staged
  • Taylor Swift: I Knew It, I Knew You review – giddy up! Song for Toy Story cowgirl Jessie is Swift’s best in years
  • Kanya King, founder of Mobo awards for Black British music, dies aged 57
  • Zoh Amba: Eyes Full review – raw, rugged country rock also has real tenderness
  • Gintė Preisaitė: Instruments of Forgetting and the Singing Bone review – atmospheric, unsettling ambience
  • Hourglass album review – Simone Dinnerstein gives Glass room to breathe
  • ‘I knew it was over for us’: the bands who got left behind when punk exploded

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