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Charlotte Church accuses Ed Sheeran of ‘choosing capitalism over doing the right thing’

Church, a prominent supporter of Palestinian causes, criticises Sheeran over removal of Macklemore from US tour

Chad Gilbert, New Found Glory’s founding guitarist, dies aged 45

Gilbert’s family says he died ‘peacefully in his sleep’ months after My Friends Over You musician shared stage four cancer diagnosis

‘Being in Madness kept some of them out of jail’: how the baggy-trousered nutty boys made a guerrilla cinema classic

From a jail-inspired light sabre fight to the moment a sax-player flew, Take It Or Leave It brilliantly captured the band’s grimy origins. Will the film’s return see it finally honoured as a music movie landmark?

‘Love and respect’ or ‘a cash grab’? The furious battle over the final album by the Fall

Creators of Post Script, made with vocals by the late Mark E Smith, defend it as ‘a great, positive record’, but fiancee describes it as ‘ethically wrong’

How much is being close to your favorite artist worth? Superfans are reshaping the concert industry

Some admit to spending thousands of dollars for barricade spots and other VIP perks at concerts, which is becoming more common

John Farnham tribute: Céline Dion, Chris Martin and Hugh Jackman honour ‘living legend’ at livestreamed concert

Though the man of the hour is unable to attend, fans flock to Rod Laver Arena and cinemas nationwide to celebrate the songs of an Australian icon

‘I feel betrayed’: inside Ed Sheeran’s controversial return to the stage

Some fans were hesitant to turn the page after Sheeran’s tour resumed in Philadelphia after the removal of Macklemore, who spoke out in support of Palestine

‘It’s been work to not go crazy’: Way Dynamic, the Australian folk-pop musician with fans including Elton John

Dylan Young’s sound recalls the Beach Boys and the Beatles, both contemporary and timeless – and his latest album, Massive Shoe, is attracting international acclaim

Singer Becky Hill looks back: ‘Aside from the music I was making, I hated every minute of my 20s’

The Brit award winner on being scammed by a model agency, coming to terms with sexual assault, and wrestling with impostor syndrome

Suzi Quatro: ‘It is absolutely crazy I’m not in the Rock and Roll Hall of Fame. But I’m in good company!’

The 76-year-old rocker on her pre-gig routine, the one reality show she’d go on and who she’d cast as herself in a film about her life

Ed Sheeran thought fans didn’t want artists to be politically engaged. He’s finding out how wrong he was

Twenty years ago, even Madonna faced radio blacklisting for being overtly political. But in our age of streaming, there’s less excuse for not speaking out, says Guardian columnist Jason Okundaye

Duncan Sheik, singer and composer of Spring Awakening, dies at 56

The musician, who went from 90s alt-pop hits to Tony-winning Broadway success, died from cardiac arrest

Pulp: What Do You Do for an Encore? review – Jarvis Cocker’s wit and warmth upstage the hits

Wonderful archive footage charts the Sheffield outsiders’ unlikely rise, but the distant camerawork struggles to capture the thrill of their triumphant O2 gigs

Empress Of: Dream House review – a tender and openhearted rebirth after wildfires razed her house

Lorely Rodriguez contemplates the meaning of home – both physical and emotional – on a gorgeously humid, hopeful album that makes a virtue of her searching nature

‘I toured with a hole in my brain. I don’t regret a thing’: punk duo Lambrini Girls on fighting extreme times with extreme measures

Their debut stormed the charts and wowed Iggy Pop, but health crises threatened to derail the Brighton duo. Now they’re back, taking aim at the manosphere, fascism and the ruling class

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  • Only connect: two composers who put humans at the heart of their music, and the conductor who didn’t
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  • The 80-year-old market trader who became a Chilean music star
  • Freddie Jackson, romantic US singer with 10 R&B chart-toppers, dies aged 70
  • Bob Davenport obituary
  • 24 Hour Party People review – daring metatextual paean to the Manchester music scene
  • O2 signs record deal to keep London venue’s naming rights
  • Dolly Parton’s estate alleges her nephew used barbed wire to avoid being served
  • The west has a blinkered view of African music – and it’s hurting the whole continent’s culture
  • V/H/S/Mixtape review – murderous puppets pull the strings in mixed bag of gory music-themed mini-movies
  • George Fenton, Oscar-nominated British composer for more than 100 films, dies aged 76
  • Holding Lightning by Emily Lordi review – an intimate portrait of Whitney Houston
  • Olivia Dean review – a powerful, affirming night with a pop star at the height of her powers
  • Barkouf review – Offenbach’s lost operetta is a quirky shaggy dog story
  • The Yellow Tie review – John Malkovich gives major hauteur as legendary record-hating maestro
  • Sass Jordan, Canadian rock singer-songwriter, dies aged 65
  • Play that funky Turbine Hall! How artist Tarek Atoui aims to take the Tate on a sonic odyssey
  • Sleeping Beauties by David Byrne review – a quirky journey through the afterlife of invention
  • Scottish Ensemble review – singular sounds from an ever-adventurous string orchestra
  • Why are national anthems almost always orchestral?
  • The Undertones review – silver-haired fans get Teenage Kicks once more
  • ‘I can’t listen to Pink Floyd – I find their music dreary’: Elvis Costello’s honest playlist
  • Ella Hooper: ‘Most embarrassing celebrity encounter? I said the classic thing you don’t ever say to Billy Bragg’
  • From the Bayeux tapestry to Glastonbury: top tips and tricks to grab the hottest tickets
  • From Digger to The Strokes: your complete entertainment guide to the week ahead
  • ‘My hips can’t help but move’: readers on the songs that always get them dancing
  • Behemoth! review – Pedro Pascal classical music drama hits all the wrong notes
  • Cameron Winter at Carnegie Hall review – Paul Thomas Anderson’s sumptuous recording is an immediate classic
  • Olivia Dean accused of plagiarism on her I’ve Seen It track
  • ‘It’s radical to release a film called Girls Like Girls in this climate’: hitmaker turned director Hayley Kiyoko on sexuality, safety and becoming ‘Lesbian Jesus’

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