wrongmog

it's all about the music

Main menu

Skip to primary content
Skip to secondary content
  • Pop & Rock
  • UK
  • Books
  • Indie
  • Urban
  • Hip Hop
  • Rap
  • Electronic
  • Dance
  • Jazz
  • Classical
  • Industry
  • Culture
  • Tech

Post navigation

← Older posts
Newer posts →

Bruce Foxton, bassist with the Jam, reveals Parkinson’s diagnosis

Musician who now plays in From the Jam has vowed to ‘keep going and play live for as long as I’m able to do it’

My Chemical Romance review – ​fire! Nuclear war! Killer pierrots! This is stadium rock at its most monumentally madcap

Adding eye-popping spectacle to this anniversary reprise of The Black Parade is fun, but what really stands out is the tremendous songcraft

Lily Allen defends length of West End Girl shows: ‘I don’t want anyone to feel ripped off’

Singer has likened live show to theatre rather than a conventional concert but fans have criticised the performances and lack of crowd interaction

David Clayton-Thomas obituary

Singer, songwriter and frontman of the American band Blood, Sweat & Tears

‘I’m not a quitter!’ Rubén Blades, the salsa supremo who acted with Jack Nicholson, inspired Bad Bunny – and served as Panama’s tourism minister

As he prepares to play the UK, the 25-Grammy-winning musician (and Harvard law graduate) looks back on his astonishing journey from the barrios of Panama City to global stardom

Chris Martin’s lost James Bond theme goes on auction with unheard Coldplay tapes

Acoustic recording of a song titled The World Is Not Enough included in wide-ranging auction featuring formative Coldplay recordings

It’s a love story – or is it? The surprising conflict and chaos in Taylor Swift’s songs about commitment

A pop superstar widely perceived as a romantic has in fact mostly written love songs troubled by strife, ghosts and delusion. Ahead of her wedding, we strip away the gossip to see what Swift-as-songwriter has spent 20 years telling us

The Black Lights review – Mica Levi, Moin and Klein thrill at an awesome addition to the UK festival circuit

Tapping into the kitsch and romance of a Blackpool weekender, this debut offering from Manchester’s White Hotel becomes a triumph of pan-genre experimentalism

Quincy Jones emailed saying, ‘Hey man, I need to have a word’: how Jacob Collier made In My Room

‘Stevie Wonder and Prince played all the instruments on their albums, but in recording studios. I did it all in a back room at home – and then it won two Grammys’

Bad Bunny review – dynamic Latin superstar hosts thrilling party

The Puerto Rican musician kicks off in a white suit fronting a salsa band in full flow, then switches up with a swaggering, chaotic rave in a replica island home

‘I’ve only been addicted to two things – funk and praise’: Eddie Marsan’s honest playlist

The actor dances his insecurities away and wells up at a particular Eric Clapton song. But which double act brings out his inner cockney?

I was a whinger, a cynic, a misanthrope. Then I saw Harry Styles live – and I will never be the same again

I knew my 11-year-old son would love an evening at Wembley with his favourite star. But nothing prepared me for what it would mean to me, writes Polly Hudson

Haunted hooks and bone-chilling screams: how Chanel Beads became the indie breakout of the year

Tipped by Lorde and Billie Eilish, the New York musician twists sublime folk and chaotic synths into bewitching new shapes

Madonna & Graham review – it’s ‘gay heaven’ when Kylie arrives

You can’t blame Graham Norton for being tongue-tied over the icon. They have a nice, hammy time – and another pop queen serves them drinks – but where is the naughtiness?

Metallica review – metal legends break out the pyrotechnics … and a Proclaimers cover

Armed with four drum kits, an arsenal of hits and a 50,000-strong snake pit, Lars Ulrich and co deliver a masterclasss on their marathon world tour

Post navigation

← Older posts
Newer posts →
  • R Kelly formally appeals to Donald Trump to commute his 31-year prison sentence
  • Hit Machine review – slick music biz drama strikes too many false notes
  • Unheard David Bowie songs from 1965 to be released – including ones with Jimmy Page on guitar
  • Karim Sulayman/Sean Shibe review – tenor and guitarist beguile in wide-ranging and joyful recital
  • ‘More real than anything you’ll see scrolling’: the radical resurgence of UK fanzines, 50 years after punk
  • James Taylor review – 70s legend’s golden baritone shines best when stripped bare
  • US rapper Boosie seeks $300,000 refund after failed Trump pardon bid
  • What actually happens when your heart breaks? A hit play with classic breakup songs unpacks the ‘universal experience’
  • ‘Fun, propulsive, full of queer joy’: readers’ favourite albums of 2026 so far, from Muna to Raye and J Cole
  • System of a Down review – perverted pop and anti-war anger mixed into a metal melee
  • Gracie Abrams: Daughter from Hell review – bloodless anthems hit like a faceful of icing sugar
  • ‘So healing’: can singing Miley Cyrus with strangers cure our spiritual malaise?
  • Is the most popular song played on Australian radio stations the product of generative AI?
  • Eat, sleep, rave … make peace! DJ Yousuke Yukimatsu’s mission to change the world with topless raves
  • ‘We can find renewal despite the bullshit we navigate as Black women’: Kelela on stan armies and speaking up for Gaza
  • The Importance of Being Earnest review – gloriously madcap opera achieves new heights of delirium
  • ‘Unchained Melody makes me want to live out my Swayze fantasies’: Gary Jarman’s honest playlist
  • Jay-Z review – rap legend dazzles New York City with lavish spectacle, sharp bars and Beyoncé
  • Casual by Chappell Roan helped me ditch dead-end relationships
  • From Moana to Suki Waterhouse: your complete entertainment guide to the week ahead
  • Lizzo answers her critics: ‘I’m a fat, black, happy girl – they were always going to try to tear me down’
  • Rapper Pitbull and fans set ‘bald cap’ Guinness World Record at London show
  • ‘Take that, Marti Pellow!’ Sam Fender and Olivia Dean’s Rein Me In beats Wet Wet Wet’s UK chart record
  • Bon Jovi review – rockers make a surprisingly poignant return to the stage
  • The Guide #251: From Oasis to Harry Styles, music is mad for football merch
  • Add to playlist: the fluid club deconstructions of Stolen Velour, Floco and Aria SL and the week’s best new tracks
  • Baby Rose: Yearnalism review – gloriously cinematic soul from the edge of emotional collapse
  • Wild Gods: The Glorious Abysmal review – truly fascinating songs born of tweed-beating and psychedelic trips
  • ‘Being a billionaire is so tacky!’ Musical firebrand Lido Pimienta on exploitation, class struggle – and going ‘Enya mode’
  • Mahler: Songs of Youth and Awakening album review – exuberance and intensity from fine cast of singers

Contact www.wrongmog.com   Terms of Use