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‘I know what it’s like to be vulnerable’: musician This Is Lorelei AKA Nate Amos on addiction and finding peace

The singer-songwriter and Water from Your Eyes guitarist was unstoppably prolific, despite a growing dependence on substances. Now sober, he reflects on his new album and the songs that helped him turn his life round

The Strokes: Reality Awaits review – a perfect marriage of mayhem and melody on their best album in years

Allying the crackpot strangeness of Julian Casablancas’ side projects with his band’s gift for pop minimalism, the New Yorkers are on playful, joyous form

Tyla: A*Pop review – old-school pop superstar transports us back to more carefree times

The South African singer reflects on love’s highs and lows on her second album, nimbly flipping between moods but with her voice always holding attention

‘It’s more than backcombing a beehive!’ How tribute acts got massive – and put the live music scene back in the black

Versions of Amy Winehouse and hundreds of other musicians are generating millions for beleaguered UK venues. But what is the emotional toll for the imitators, and are they pushing out original artists?

Charli xcx: Music, Fashion, Film review – slippery search into selfhood that hits just as hard as Brat

How do you follow up the album that made you a star – and a caricature? In classic Charli style: with a pivot to guitar and a meta masterpiece about the instability of identity

​’Ian Curtis didn’t have a chance’: the Durutti Column on departed friends, Factory Records and fun with Morrissey

As they release their first album in 16 years, the Vini Reilly-fronted band answer your questions on sandpaper record sleeves, having Harry Styles as a fan and inventing a new style of guitar music

‘My life’s work was being delightful. That really hurt me’: breakout Americana star Brennan Wedl on freeing herself through song

​With her roots stretching from the Catholic church to riot grrrl, the US singer-songwriter explains how sobriety and self-analysis powered her classic new Waxahatchee-produced album

How a boy’s own song about eastern rosellas went viral and was covered by Ben Lee

Miles Phillips’ hit has been viewed 1.5m times and played on the radio. The seven-year-old was inspired after feeding birds and realising one ‘main bird stood out’

Pass the pit diapers! Why are fans wetting themselves to stand front row at concerts?

Olivia Rodrigo, Noah Kahan and Morgan Wallen have all dealt with audience effluence in recent weeks – but that’s only one part of a fearsome subculture that has built up around fandom, endurance and ‘getting barrier’

‘His chords are like sheets of diamond ice’: the beguiling psych-folk of late cult songwriter Ed Askew

The late songwriter released around 50 records, writing gay love songs and effortless folk songs from folk’s fringes. Fans including Bill Callahan explain his singular brilliance

Shania Twain: Little Miss Twain review – rootsy revival strays from the dirt track to the middle of the road

The country legend’s seventh album revisits her troubled early life but plays it safe with zany humour and fluffy songs about young love

Amy Shark, stripped back: ‘Everyone thinks being famous is amazing, and it’s not. It’s quite ugly’

Ten years after Adore sparked a major-label bidding war, the Gold Coast singer’s fourth album ditches the pop production and the drums – and delivers the best work of her career

Bruno Mars review – half seedy club, half church service as diminutive singer answers fans’ prayers

Mars sings every line like it’s his big solo in a show that leans more on his stage presence than pyro and pageantry

‘We were in danger of running it into the ground’: Brittany Howard on fleeing fame, fighting Trump and the epic return of Alabama Shakes

The soul-rockers achieved worldwide success before surprising everyone by deciding to quit while they were ahead. Now they’re back with a new album railing against the state of contemporary America

Post your questions for Kristin Hersh, of Throwing Muses and more

The alt-rock icon is preparing to release her latest solo album Sugar on Blackstone, and will answer your questions about her five-decade career

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← Older posts
Newer posts →
  • Oberon review – part panto, part grand opera, Weber’s final work has charm but doesn’t quite convince
  • William Orbit, pop producer for Madonna, All Saints and more, dies aged 69
  • Grieg Lyric Pieces album review – Feltsman brings a probing flexibility that transforms this music
  • Add to playlist: the anxiety-ridden sugar rush of Tiffany Day and the week’s best new tracks
  • Strange Loops: Clarinet Quintets album review – drama, imagination and sonic flair
  • Flo: Therapy at the Club review – skirting the dancefloor and overly sweating the small stuff
  • Arun Sood and Angeline Morrison: Donn/Dubh review – British folk giants startlingly transform sacred histories
  • ‘There is an alternative to capitalism’: after addiction and losing a home to LA wildfires, indie rockers Diiv start again
  • Judy Tarling obituary
  • ‘Terrifying’, ‘creepy’, ‘abusive’: dozens of women who worked for convicted rapist Ralph Carr speak out
  • ‘We crafted it from our hearts’: the Womack Sisters on continuing a great soul music dynasty
  • Throwing Muses frontwoman Kristin Hersh: ‘I was compelled to make music after cracking my skull open’
  • Arlene Smith obituary
  • Feisty, funny and for real – how new opera the Galloping Cure puts drama at its heart
  • Ravyn Lenae: Blue Island review – from Suicide to Squarepusher, grunge to Janet, a pop one-off plots her unique path
  • Blue Note to bring world-famous jazz club to London
  • Demise of the monoculture: why so many have never heard UK’s record-breaking No 1 single
  • ‘If you yell at everything, no one’s gonna listen’: Kelly-Dawn Hellmrich on the Australian musicians rewriting the rules
  • Should a tech tycoon be able to pay his way into conducting a world-class orchestra? And should they really sell tickets?
  • I’m Every Woman: The Chaka Khan Musical review – Queen of Funk’s jukebox epic lacks the X factor
  • ‘Like Backstreet Boys, but less sultry’: how the Jonas Brothers notched up 20 years of pop stardom against the odds
  • Phoebe Bridgers: Lost Weekend review – long-awaited return is a thrilling, daring study in dislocation
  • ‘I put a raging dent in Neil Young’s forehead!’ Tim Pope on his riotous videos for the Cure, Bowie, Queen, Soft Cell and more
  • ‘This isn’t some vendetta’ – Tulisa Contostavlos on taking on the tabloids, sex tapes and shame
  • The Guardian view on 80 years of public funding for the arts: more vital than ever
  • Liberated from its ludicrous libretto: how the magnificence of Oberon can be properly heard at last
  • The hill I will die on: You should be legally obliged to play Mr Brightside at your wedding
  • Ariana Grande expands on decision to ‘step back from visibility’, telling fans it was ‘not reactive or impulsive’
  • Careless whispers: what really happened between George Michael and Lindsay Anderson? The Wham! movie producer reveals all
  • Acrobatic, goofy and super-fast: the biama battles redefining Ivorian dance culture

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