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Dolly Parton musical set for Broadway this winter: ‘a dream come true’

After a run in Nashville, Dolly: A True Original Musical is set to open in New York in December

BTS review – pure joy and astonishing versatility at K-pop titans’ first UK show in seven years

Fans and cynics are putty in the boyband’s hands as the lads lark their way through a catalogue of tracks that ricochet from hard rap to buttery pop

Madonna was always anti-nostalgia. But looking back on Confessions II has revitalised her music

The veteran pop diva has pressed rewind to move forward on her new record – and beneath the bangers fizz a host of emotionally charged memories

Adapt or die: the Australian live music lovers trying to reinvent an ‘ancient’ and ‘unviable’ industry

With punters drinking less, running costs rising and one-third of the sector wiped out by Covid, venues and promoters are turning the business model on its head

Lauren Bennett, singer on LMFAO’s Party Rock Anthem, dies aged 36

British-born vocalist competed on The X Factor before joining the girl groups Paradiso Girls and G.R.L.

‘The song got us signed but I hated it’: how Haircut 100 made Fantastic Day

‘In the early days, we hopped on every bandwagon going – punk, ska, mod, everything. Fantastic Day was always there, just in different styles. The original was more Talking Heads. I preferred that’

‘I was there!’ Writers remember legendary gigs by Beyoncé, Brian Wilson, Britney, Oasis, Daft Punk and more

What’s it like to catch a gig so great it goes down in history? Our writers relive incredible performances by everyone from Amy Winehouse at the North Sea jazz festival to Kanye West at Glastonbury

‘Justin Bieber was played so much in the changing room’: Leah Williamson’s honest playlist

The England and Arsenal player grew up with Enrique Iglesias on repeat, and knows the Bridget Jones soundtrack by heart. But what football song gives her goosebumps?

Jessica Mauboy: ‘Why did I do a kookaburra call for Ellen DeGeneres? Did I think that was cool?’

The singer and host of That Blackfella Show on her most controversial pop culture opinion, her go-to karaoke song and being recognised by police while getting a ticket

Beyoncé releases surprise new track for Fourth of July weekend

Morning Dew (Donk) reportedly conceived for Beyoncé’s second album B’Day, which will be reissued for its 20th anniversary in September

The Rolling Stones: Foreign Tongues review – stomping blues and anti-Musk politics make this another late triumph

Continuing the rejuvenated sound of 2023’s Hackney Diamonds, there’s touching vulnerability from Keith Richards while Jagger confronts war and autocracy

Mark Holden: ‘I started telling the judges off. And that’s really totally uncool’

The 70s Carnation Kid turned Australian Idol judge and barrister on dreams, ageing and his unusual career

Joan Jett and the Blackhearts review – rip-roaring rock history, but why is she playing Gary Glitter?

In her first UK headline show in 16 years, Jett has a terrific knack for a cover version, though she’s a touch nonchalant – and there’s a real misstep

Sienna Spiro: Visitor review – will she be the ‘new Adele’? Not with this merely competent debut

Amid signs of greatness, the already hugely popular British singer fails to live up to her potential, lacking vocal agility and lyrical subtlety

‘Don’t kill music’: Anthony Albanese’s favourite bands beg PM to stop AI companies from stealing their work

A potential deal with the government would allow international tech companies to mine the creative work of Australian musicians. Some of the prime minister’s favourite artists told the Guardian how they feel about it

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← Older posts
Newer posts →
  • Shania Twain’s honest playlist: ‘If Dancing Queen comes on, you rush out’
  • Lou Koller, frontman of New York hardcore band Sick of It All, dies aged 59
  • From A Useful Ghost to Self Esteem: your complete entertainment guide to the week ahead
  • Singer D4vd had impregnated teenager he is accused of fatally stabbing
  • Singer Chris Brown pleads guilty to affray over London club confrontation
  • ‘I know what it’s like to be vulnerable’: musician This Is Lorelei AKA Nate Amos on addiction and finding peace
  • Add to playlist: the ramshackle, soulful twang of Twisted Teens and the week’s best new tracks
  • The Strokes: Reality Awaits review – a perfect marriage of mayhem and melody on their best album in years
  • The Zarabanda Variations review – free jazz project is a thrillingly original dive into colonial history
  • Tyla: A*Pop review – old-school pop superstar transports us back to more carefree times
  • John McCabe: Symphonies 2 & 3 and Cello Concerto album review – writing of enormous scope and colour
  • ‘It’s more than backcombing a beehive!’ How tribute acts got massive – and put the live music scene back in the black
  • Charli xcx: Music, Fashion, Film review – slippery search into selfhood that hits just as hard as Brat
  • ​’Ian Curtis didn’t have a chance’: the Durutti Column on departed friends, Factory Records and fun with Morrissey
  • Beethoven: The Last Three Sonatas/Mitsuko Uchida album review – the music emerges as if new
  • ‘My life’s work was being delightful. That really hurt me’: breakout Americana star Brennan Wedl on freeing herself through song
  • The music in Nolan’s Odyssey is as well-crafted – and bloodlessly forgettable – as the film itself
  • How a boy’s own song about eastern rosellas went viral and was covered by Ben Lee
  • ‘We didn’t care what the client wanted!’: Sheffield’s Designers Republic on their art for Aphex Twin, Pulp … and Pringles
  • Possible bloodstains were detected at D4vd’s home, LA police officers testify
  • Do you suffer from organ failure? Here’s why you should give this mightiest of instruments a hearing
  • BBCPhil/Storgårds / Park & Jupiter Ensemble reviews – stylish Strauss and lyrical Sibelius … and a lutenist’s singalong
  • Pass the pit diapers! Why are fans wetting themselves to stand front row at concerts?
  • Saxophonist Plas Johnson, known for solo on The Pink Panther Theme, dies aged 94
  • We’ve been desperate for someone to take on Donald Trump. Who knew it would be Coldplay’s Chris Martin?
  • BBCPhil/Noseda/Selaocoe review – a proms concert that was everything the festival does best
  • ‘His chords are like sheets of diamond ice’: the beguiling psych-folk of late cult songwriter Ed Askew
  • LA prosecutors present gruesome evidence in murder case against singer D4vd
  • Ariadne auf Naxos review – Laurent Pelly’s staging has plenty of wit but lacks weight
  • Spanish National Orchestra/Afkham review – Proms debut sees orchestra’s celebrations kick off early

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