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Woe Vienna? Boycotts and blackouts mar buildup as Eurovision 2026 begins

Usually joyous song contest ‘a little bit sad’ this year, says one expert, with rows over Israel and costs to the fore

‘Using his Terminator voice, Arnie said: “Your song. Give it to me. Now”’: George Thorogood on Bad to the Bone

‘There was a lot of fighting and drinking at our shows. We played for bikers, for Hell’s Angels. We would break records for beer sales everywhere we played’

Angine de Poitrine review – alien rock duo’s UK debut is hypnotic, harebrained and 100% worth the hype

The polka-dotted phenomenon land their spaceship in Leeds for an ecstatic show that balances supremely complex musicianship with ridiculous good fun

Get back: Beatles’ Apple Corps to turn former London base into seven-storey visitor attraction

Paul McCartney hails plans for 3 Savile Row, which include access to rooftop where the band played their final gig

Died Pretty’s Doughboy Hollow: can Australia’s most overlooked album finally find the audience it deserves?

Thirty-five years after release, the Australian classic is finally getting a vinyl reissue

Super Furry Animals review – stirring reunion showcases immaculate songcraft

The Welsh band with a weird edge mostly let their formidable music speak for itself, lent a transcendent power by frontman Gruff Rhys’s rich voice

Are Katseye transforming K-pop or making ‘skibidi toilet music’? Either way, fans will tearfully wait hours for a glimpse

Katseye blends US sensibilities with the hard-hitting choreography, branding and relentless perfectionism of Korean pop music – and ‘Eyekons’ can’t get enough

From Smashing Pumpkins to Ferris Bueller: new Australian indie video game Mixtape is a blast of nostalgia

In the game by Melbourne-based Beethoven and Dinosaur, you play as a teenage girl the night before moving to New York – drinking, skateboarding and getting into trouble, all soundtracked by 80s and 90s classics

Charli xcx: Rock Music review – is she really pivoting from pop? Don’t be so sure …

The lyrics may argue the dancefloor is dead, but this funny, wilfully plasticky new single isn’t the total about-turn from Brat that fans expected

Paul Simon review – at 84, back on stage after hearing loss, his resolute artistry is inspiring

What Simon has lost in vocal power he has added in intimacy and authority – and this hushed performance makes for an arena concert like no other

Ana Roxanne: Poem 1 review – ​a stunning pop balladeer emerges from the haze

​Essaying a broken heart, the New Yorker puts her voice front and centre for her most accessible work yet, though still with unexpected details – and a Schumann cover

‘We’re not Lady Gaga and Elton John’: unmasking Angine de Poitrine, the year’s buzziest, dottiest band

Their microtonal rock has been a huge viral hit – but are they really 333-year-old aliens inspired by Borneo monkeys? The Quebecois duo tell all

Flutes, freestyles and infectious fun: Lizzo’s greatest songs – ranked!

Ahead of her new album Bitch, we rate the best of a singer who expertly suffuses self-empowerment anthems with humour and party-starting energy

Post your questions for Beth Orton

Ahead of a new album in June, The Ground Above, the versatile singer-songwriter will answer your questions

Aldous Harding: Train on the Island review – even whimsy-resistant listeners will love these lucid, luminous songs

Lyrics about naked owls and eating rocks might be irksome to some – but there’s no denying that the alt-rocker’s fifth album is beguiling, tightly written and richly melodic

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  • Geoffrey Keating obituary
  • Spin city: Melbourne loves records – but is it really the vinyl capital of the world?
  • If CMAT is an affront to the male gaze and Olivia Rodrigo is indulging it, how exactly should women dress?
  • Hampson and Sidorova review – style over substance with a whiff of the cruise ship
  • Musical acts back out of performing at Trump-affiliated concert series
  • Add to playlist: the whimsy and warped electronics of duo Ear and the week’s best new tracks
  • Matías Aguayo: Anenoa review – the funkiest, freest singer in the business hits the dancefloor
  • Violet Grohl: Be Sweet to Me review – alt-rock arriviste aces the part
  • Dvořák: Symphony No 9 album review – Shani brings a natural freshness to a familiar work
  • CMAT shares ‘deep sadness’ over body-shaming after BBC Radio 1 Big Weekend performance
  • One bucket, two sticks and a million followers: how five NZ teens hit drumming fame
  • Olivia Rodrigo responds to babydoll dress criticism: ‘It shows how we normalize pedophilia in our culture’
  • La Traviata review – gripping and genuinely moving staging opens Garsington’s summer season
  • ‘The biggest myth? That I left Sister Sledge’: Kathy Sledge on sibling rivalry, Chic and disco’s political power
  • Colin Matthews: Seascapes album review – the songs teem with detail
  • ‘I felt my humanity was bastardised’: Cynthia Erivo says reaction to Ariana Grande red carpet incident rooted in racism
  • Iceage: For Love of Grace & the Hereafter review – Danish punks ace sixth stellar album on the trot
  • Escaping Babylon by Jesse Bernard review – an intimate history of Black British music
  • Loss of manual jobs could be driving toxic masculinity, says Sting
  • ‘We’re waiting for the plan to find us’: Mouse on Mars on working with Lee ‘Scratch’ Perry and 30 years of oblique adventures in sound
  • AI ‘art’ is boring, soulless theft – and when I see it as an artist I see red
  • Raves, Brecht and re-enacting Diana’s funeral: the White Hotel bows out as the north’s bravest music venue
  • La Fanciulla del West review – insightful staging reveals the power of Puccini’s maverick masterpiece
  • Risk-taking, rigour and radicalism – Daniel Harding is an exciting prospect for Los Angeles
  • Power Ballad review – Nick Jonas and Paul Rudd star in terrific comedy of bromance and betrayal
  • ‘The UK is a hostile environment to do art’: Tara Clerkin Trio on the​ir bold, bright music – and the fight working class artists face
  • Australian BTS fans blast Ticketmaster’s ‘predatory’ tactic of hiding price until tickets go on sale
  • Magic, mastery and magisterial power: 10 of Sonny Rollins’ greatest recordings
  • Sonny Rollins obituary
  • ‘I’ve rebranded as a stoic. It’s my ting now!’ The crime and punishment of Pozer, UK rap’s fastest, fiercest talent

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