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‘The greatest album never made’: the untold story of George Michael’s secret, star-packed duets project

Suing his record label and sick of being a sex symbol, the singer spent 1992 working on the Trojan Souls for stars including Aretha Franklin and Bryan Ferry. Now, newly released studio footage shows him in his creative prime

‘I thought it didn’t stand a cat’s chance in hell’: Andrew Ridgeley on Wham’s surreal trip to China

Four decades after he and George Michael became the first western pop act to tour the country, Ridgeley recalls silent gigs, awkward embassy receptions – and the ‘bloody ludicrous’ hiring of Lindsay Anderson as director

Pussycat dolls star Ashley Roberts looks back: ‘We had to be resilient – if your toe breaks, you still do the show’

The singer on falling in love with dance, surviving the paparazzi, and reuniting with Kimberley Wyatt and Nicole Scherzinger

Luke Combs review – regular Joe megastar brings the arena-sized party home

Despite his humble persona, the highest-selling country artist of all time has the vocal firepower and heavyweight hits to deliver two hours of crowd-pleasin’ pyrotechnics

Shania Twain’s honest playlist: ‘If Dancing Queen comes on, you rush out’

The country-pop superstar loves Abba and secretly listens to Lloyd Webber, but which British heartthrob’s single gets her out of bed in the morning?

‘I know what it’s like to be vulnerable’: musician This Is Lorelei AKA Nate Amos on addiction and finding peace

The singer-songwriter and Water from Your Eyes guitarist was unstoppably prolific, despite a growing dependence on substances. Now sober, he reflects on his new album and the songs that helped him turn his life round

The Strokes: Reality Awaits review – a perfect marriage of mayhem and melody on their best album in years

Allying the crackpot strangeness of Julian Casablancas’ side projects with his band’s gift for pop minimalism, the New Yorkers are on playful, joyous form

Tyla: A*Pop review – old-school pop superstar transports us back to more carefree times

The South African singer reflects on love’s highs and lows on her second album, nimbly flipping between moods but with her voice always holding attention

‘It’s more than backcombing a beehive!’ How tribute acts got massive – and put the live music scene back in the black

Versions of Amy Winehouse and hundreds of other musicians are generating millions for beleaguered UK venues. But what is the emotional toll for the imitators, and are they pushing out original artists?

Charli xcx: Music, Fashion, Film review – slippery search into selfhood that hits just as hard as Brat

How do you follow up the album that made you a star – and a caricature? In classic Charli style: with a pivot to guitar and a meta masterpiece about the instability of identity

​’Ian Curtis didn’t have a chance’: the Durutti Column on departed friends, Factory Records and fun with Morrissey

As they release their first album in 16 years, the Vini Reilly-fronted band answer your questions on sandpaper record sleeves, having Harry Styles as a fan and inventing a new style of guitar music

‘My life’s work was being delightful. That really hurt me’: breakout Americana star Brennan Wedl on freeing herself through song

​With her roots stretching from the Catholic church to riot grrrl, the US singer-songwriter explains how sobriety and self-analysis powered her classic new Waxahatchee-produced album

How a boy’s own song about eastern rosellas went viral and was covered by Ben Lee

Miles Phillips’ hit has been viewed 1.5m times and played on the radio. The seven-year-old was inspired after feeding birds and realising one ‘main bird stood out’

Pass the pit diapers! Why are fans wetting themselves to stand front row at concerts?

Olivia Rodrigo, Noah Kahan and Morgan Wallen have all dealt with audience effluence in recent weeks – but that’s only one part of a fearsome subculture that has built up around fandom, endurance and ‘getting barrier’

‘His chords are like sheets of diamond ice’: the beguiling psych-folk of late cult songwriter Ed Askew

The late songwriter released around 50 records, writing gay love songs and effortless folk songs from folk’s fringes. Fans including Bill Callahan explain his singular brilliance

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← Older posts
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  • ‘For this record, I took an edible and said, screw it’: jazz pianist Sullivan Fortner on confronting the trauma of Hurricane Katrina
  • Overmono review – irresistible dance duo swap club intimacy for well-earned spectacle
  • ‘This is asking a lot of the buttocks’: my 23-hour Wagner marathon on a rock hard seat in a heatwave
  • The Drover’s Wife review – operatic version of Leah Purcell’s story is powerfully emotional
  • William Orbit obituary
  • My Brilliant Career: inside Netflix’s horny, ‘bonkers’ take on an Australian classic the world is about to love
  • Taylor Swift songs removed from Trump and White House’s social media posts
  • National Youth Orchestra/Adès review – assured young musicians end their season all guns blazing
  • BBC Symphony Orchestra/Venditti review – a fervent but lithe-limbed Stabat Mater
  • Super Furry Animals’ foray into football is not part of Big Music’s money grab
  • Nas / The Roots review – NY rap legend is in a nostalgic state of mind
  • ‘Chris Martin seems nice – but Coldplay make me feel carsick!’: Lucy Beaumont’s honest playlist
  • The hill I will die on: Remove those earphones – you’re blocking out the music of humanity
  • A Beautiful Noise: The Neil Diamond Musical review – finally, a jukebox musical that really works
  • ‘She’s the voice of a really particular moment’: how Phoebe Bridgers became her generation’s defining songwriter
  • Is it OK to talk about Ariana Grande’s body? There is no right answer
  • From Love Me Tender to Kevin Bridges: your complete entertainment guide to the week ahead
  • Olivia Rodrigo review – crushing riffs and infectious hooks at secret New York show
  • Prince to Madonna, Blur to Beth Orton: William Orbit’s 12 greatest recordings
  • Oberon review – part panto, part grand opera, Weber’s final work has charm but doesn’t quite convince
  • William Orbit, pop producer for Madonna, All Saints and more, dies aged 69
  • Grieg Lyric Pieces album review – Feltsman brings a probing flexibility that transforms this music
  • Add to playlist: the anxiety-ridden sugar rush of Tiffany Day and the week’s best new tracks
  • Strange Loops: Clarinet Quintets album review – drama, imagination and sonic flair
  • Flo: Therapy at the Club review – skirting the dancefloor and overly sweating the small stuff
  • Arun Sood and Angeline Morrison: Donn/Dubh review – British folk giants startlingly transform sacred histories
  • ‘There is an alternative to capitalism’: after addiction and losing a home to LA wildfires, indie rockers Diiv start again
  • Judy Tarling obituary
  • ‘Terrifying’, ‘creepy’, ‘abusive’: dozens of women who worked for convicted rapist Ralph Carr speak out
  • ‘We crafted it from our hearts’: the Womack Sisters on continuing a great soul music dynasty

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