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‘It was a damn unicorn’: the pioneering, divisive power of Paul Simon’s Graceland at 40

On its anniversary, the author of a new book about the album explains the complex legacy and masterful musicianship of the 1986 classic

Christian metal band sues Netflix over KPop Demon Hunters name

25-year-old band Demon Hunter says name of streamer’s hit movie creates ‘substantial confusion’ among consumers

Jah Wobble on covering the Beatles, London buses and why punk went wrong: ‘Being kind is seen as square’

The maverick former Public Image Ltd bassist takes us on a typically picaresque journey through his ‘Kafka-esque’ days at Transport for London, being named by Sid Vicious and his spiritual learnings

ZZ Top drummer Frank Beard dies aged 77

Tributes paid to ‘great friend and collaborator’ who played with band for 56 years and died in hospice care in Texas

Gang of Youths are back: ‘Does it sound like a cynical gesture towards pop radio stardom?’

Four years since their last album, the anthemic Australian band are back with a fresh sound and new music about finally being ‘overwhelmingly OK’

‘You’ve got to see this girl!’ Tanita Tikaram on making Twist in My Sobriety

‘People tell me it helped them with their rehab. I have to explain: Sorry, it’s not about alcohol – I was just a kid singing about injustice’

Next year’s Eurovision host is Burgas, not Sofia. Some Bulgarians are baffled

Next year’s competition won’t take place in the country’s capital, an announcement that even surprised Bulgarian winner, Dara

‘I had to learn how to be a feminist’: Greg Dulli on surviving grunge, shunning misogyny, and Afghan Whigs’ glorious return

With a soulful sound and soul-baring lyrics, the Afghan Whigs rode the post-Nirvana boom to the big leagues. Their frontman explains his exploration of the male ego – and how Usher got the band back together

Brandon Flowers: Thrasher review – Killers frontman’s country pivot is a rootin’ tootin’ cowboy-bootin’ hoot!

Even a couple of bafflingly misguided social commentary songs can’t detract from the joys of Flowers’ classically full-throated commitment to the Nashville bit

Ariana Grande Eternal Sunshine tour review: pop illusion at its most effective – for good and bad

On her last live dates before she steps back from the public eye, Grande holds her own – but it’s also impossible to avoid feeling concerned for her wellbeing

Rock stars Ash look back: ‘Mark broke his feet jumping off a balcony – for the rest of the tour he self-medicated with gin and buckets of ice’

The Northern Irish band on jamming together at school, booze and breakdowns, and being a weirdly functional family

‘I thought – if I die, I’ve had a good innings’: producer James Ford on life, death and making an album from his hospital bed

The Arctic Monkeys, Pet Shop Boys and Pulp collaborator was Britain’s most in-demand producer when leukaemia struck. ‘I realised life is exceptionally fragile,’ he says

‘Have I tried having sex to my own music? God, no!’: Natalie Imbruglia’s honest playlist

The singer was wooed with some knocked-off Joni Mitchell and might even be persuaded to sing Torn at karaoke. But what fan comment winds her up the most?

Family affair: how pop-star siblings Audrey Hobert and Malcolm Todd stormed the charts in parallel

Following in the footsteps of Michael and Janet Jackson, and Kylie and Dannii Minogue, the Hobert siblings have simultaneously struck pop gold – with no rivalry

Add to playlist: the heartbreak post-mortems of Cape Town’s Rowlene and the week’s best new tracks

The South African singer has been a memorable guest artist, but the unhurried, emotional tracks on new album Some Strings Attached show she’s ready for the spotlight

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  • Craig Douglas obituary
  • RLPO/Manze review – all-British Prom features fiery theatrics and cheeky subversion
  • ‘I’m trying to figure out where I’m supposed to be’: singer Momo Boyd on making space for herself
  • It felt as if the world had tired of rock music, yet Geese are the perfect soundtrack for this age of disquiet
  • Munich Philharmonic/Lahav Shani/Martha Argerich review – the great pianist gleams
  • ‘On the other side of pain there can be renewal’: Ezra Collective’s Femi Koleoso on reasons to hold on to hope
  • Tupac trial spotlights decades of US police failures in solving the case
  • Falling ceiling debris at Kennedy Center may mire debate over renovations
  • Oasis: Don’t Look Back in Anger review – mammoth tour movie brings the joy and poignancy of reunion
  • Jay-Z 30 tour review – the sheer profusion of nailed-on classics is dizzying
  • A Brazilian documentary taught me the healing power of music
  • ‘I’m amazed a human being could do so much’: Gloria Steinem celebrated by Margaret Atwood, Dua Lipa, Lynda Carter and more
  • From Nish Kumar to the Bayeux tapestry: your complete entertainment guide to the week ahead
  • The rise of south-east Asia’s girl bands: ‘The talent and popularity were always here’
  • The Guardian view on music and drama education: reversing elitism starts at school
  • ‘Men calling us woke need our show more than most’: punks Piss on finding strength in visceral confrontations of sexual violence
  • Katseye review – petulant hyperpop bops from a girl group in crisis
  • Berlin Philharmonic/ Petrenko/ Hadelich review – flawless musical beauty
  • Add to playlist: the churning darkness of Barcelona producer Nueen and the week’s best new tracks
  • Sairie: Beneath the Spreading Tree review – exquisite 70s-inflected folk heralds a move into autumn’s chill
  • Chat Pile: Who Loves the Sun review – sludge metallers resurface with a slightly limiting alt-rock rebrand
  • Vista, Saarikoski Songs, Three Preludes album review – Saariaho’s iridescent visions evocatively rendered
  • ‘Why not try to be the best in the world, just for the fun of it?’ Art Garfunkel on a rich, restless life – and reconciling with Paul Simon
  • The Gesualdo Six/Colin Currie Group review – surely the year’s most atmospheric Prom
  • ‘I want to go further’: Justin Broadrick on retiring Godflesh, playing with Phoebe Bridgers – and his new band
  • Berlin Philharmonic/Petrenko review – insightful Elgar and Tchaikovsky holds Proms audience in thrall
  • Adéla: Prima review – Slovakian star smashes the fourth wall to bask in pop’s cynicism and seduction
  • The Excursions of Mr Brouček review – Rattle’s illuminating touch lets Janáček’s sozzled antihero soar
  • ‘I have an obsession with barber shops’: kd lang on her prairies upbringing, Patsy Cline and being shaved by Cindy Crawford
  • ‘The myth is constantly being told’: creating a live album on stage as tribute to New York

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